Http://www.myspace.com/thehydesband
Does anyone use mySpace but us bands?
b
Http://www.myspace.com/thehydesband
Does anyone use mySpace but us bands?
b
Seems the New Pornographers are on the bill for some park concert in Salt Lake City… and on Mrs. Bethany Brinton is NOT going to stand for it.
In this time of moral and financial crisis, Salt Lake City Mayor Ralph Becker is going to build a stage in Pioneer Park and invite the rock group the New Pornographers perform…
Considering Becker’s agenda of “fairness,” to whom is even the name “New Pornographers” being fair to? Is it fair to the victims of the 6,500 registered sex offenders in Utah? Why does Becker want to promote thoughts about pornography, which contributes to crimes against women and children? Whose side is he on?
I suggest reading the comments – here are some highlights.
The Pixies-not affiliated with magic in any way
Modest Mouse-are humans and might be a tad arrogant
Barenaked Ladies-are fully clothed and actually men
Violent Femmes-are not violent, possibly femmy though
Pink Floyd-no one is named Floyd, nor pink
Police-no affiliation with law enforcement
Doors-are actually people, not windows either
Dixie Chicks-are not transexuals
The Cure-didn’t actually cure anyone
UPDATE: Added the link *duh… oh – and I got this tip from WMFU.
So, I’m testing out a New Blogging app – it’s not really new – just new to me.. It’s called MarsEdit. The interface is nice, and all Mac Native… It comes highly recommended…
“Nearly every word I write for Daring Fireball is published through MarsEdit.” -John Gruber, Daring Fireball
check it out:
So… my dear friend John posted a link to this article on the Dominion Post on his facebook wall today. It’s about a book called Time to Eat the Dog: The real guide to sustainable living. We got into a bit of a discussion about it.. and I as a member of a multi pet household and a person who clearly has stong feelings about the subject, ended up writing quite the long comment to the post. Maybe too long. But I was so damn impressed with myself, that I decided the I should re-post it here.. besides, this blog is getting spider webs. So – here’s a bit from the article – read the whole thing if yr interested…
Victoria University professors Brenda and Robert Vale, architects who specialise in sustainable living, say pet owners should swap cats and dogs for creatures they can eat, such as chickens or rabbits, in their provocative new book Time to Eat the Dog: The real guide to sustainable living.
The couple have assessed the carbon emissions created bypopular pets, taking into account the ingredients of pet food and the land needed to create them.
“If you have a German shepherd or similar-sized dog, for example, its impact every year is exactly the same as driving a large car around,” Brenda Vale said.
“A lot of people worry about having SUVs but they don’t worry about having Alsatians and what we are saying is, well, maybe you should be because the environmental impact … is comparable.”
They compared this with the footprint of a Toyota Land Cruiser, driven 10,000km a year, which uses 55.1 gigajoules (the energy used to build and fuel it). One hectare of land can produce 135 gigajoules a year, which means the vehicle’s eco-footprint is 0.41ha – less than half of the dog’s.
They found cats have an eco-footprint of 0.15ha – slightly less than a Volkswagen Golf. Hamsters have a footprint of 0.014ha – keeping two of them is equivalent to owning a plasma TV.
And he’s my comment.
I’m going to point out, just how stupid this lady is making herself sound..
First: Comparing the foot print of dogs and cats to SUVs is dumb, and it’s not even “comparable” as she claims. The author herself makes ridiculous unprovable statements.. for example:
“Owning a German shepherd or similar-sized dog, for example, its impact every year is EXACTLY THE SAME as driving a large car around”
– What???!?! “Exactly the same as driving a “Large” car around?” No.. no it’s not exactly the same as anything… for gods sake – The impact of owning a German Shepherd isn’t even EXACTLY the same as the impact of another person owning a German Shepherd. And which large car would that be? A Taurus? A Tahoe? A F-250? A Tank? Last I check they all consumed different amounts of energy. so – right out the gate.. Fail.
Next: In the article, she’s comparing the amount of land it take to create 135 gigawatts of energy to the amount of land it takes to create the food to feed a dogs and cats crappy grocery store food. Last I checked, SUV’s didn’t run on anything you could grow and sustain – they ran on gasoline refined from oil.. at best, gas contains 10% ethanol – which comes from corn. Fail.
Next (and this on is just an opinion): Saying: “Since most people feed pets cheap grocery brand food with eco-bad ingredients (chicken beaks, and cow parts, and mostly corn corn and more corn), that means that people should just instead eat the animals… because most people feed them eco-bad food that has a large carbon foot print, and is crappy,” is a statement that exists in a reality devoid of logic and common sense.
People have choices in what to feed their pets. There are eco friendly pet food makers out there. I feed my dog Merrik campfire which is mostly Trout, Oatmeal, Salmon Meal, rice, carrots, and apples… (no corn) and he get’s 2 cups of food a day. 2 cups. 14 cups a week. I’m suppose to believe that those 14 cups of trout and oats, and veggies are more harmful to the earth than driving 192 miles in a land rover?
And last I checked, people didn’t have a choice about the eco-friendliness of the gasoline they put into their cars.
And, what about pollution? Ozone? Carbon-monoxide? The Acids in a car battery? The leather on the seats? The synthetic carpets? Glues, dyes, plastics? The rubber? The impact of keeping the thing running – oil – air filters – stuff that does not biodegrade when it gets tossed in landfills – or – released deadly toxins into the environment as it rots? When my dog dies, he’ll turn to dust and feed worms which will make the soil great for growing. It doesn’t appear to consider any of that.. only the amount of land needed to produce the electricity that a Land Rover would use (remember gigawatts?), if it ran on electricity.. which it doesn’t.
This actually seems to be written under the assumption that dogs and cats are luxury items (like SUV’s) and provide no service to households (like SUVs). Which, isn’t true at all. Jet (my dog) scares the hell out of people that shouldn’t be hanging around my apt. Someone tried to break into my house a few years ago and he alerted me to their presents and quiet possibly saved my life. Why just this weekend, the alarm went of at my office in NY and I had to come in to check it out.. I brought Jet. Aside from that, anyone that’s ever raised a dog will tell you, they are great couples training for children. If everyone had a dog before having kids, I think parents would be a lot more prepared to have a life depend on you, and kids would be a lot better off being raised by people with some experience.
Also, Cats kill bugs and rodents – that eat yr food, poop under your fridge, and spread disease. I live in Brooklyn, NY. My last apt was on the ground floor of an old brownstone, and two doors down was an abandoned house – which seemed to be a mice generator. Tam (my cat) killed so many mice in that place when we first moved in.. they just stopped coming cuz they could smell him – And we had a rat living outside in our trash can – it jumped out at the elderly lady who lives upstairs and nearly scared her to death. The Cat went to battle with the thing – and murdered it just three weeks ago.
I assuming this woman will be telling me next that it’s less of a carbon impact to pay an exterminator to come once a month and spray the house down with toxins.
Conclusion: She’s and idiot trying to sell a book – she probably hates dogs, and has seven Tahoes.
Beside, by her logic, if we wanted to decrease the carbon footprint of our dogs and cats, we should feed them baby rabbits. Now there’s and idea that she didn’t even mention.. why not I wonder?

John Hughes 1984 (AP Photo)
John Hughes died today of a heart attack walking the streets of Manhattan while visiting his family. I must say that I think most of his work is crap. Don’t get me wrong, I love crap – but I just never seem to be in the mood to drink a beer at watch Home Alone, the Remake of Miracle on 34th Street, or any of the films from the Beethoven series. But looking back on this guys portfolio of work, his subject matter aside, he’s like the Roger Corman of the 80’s and 90’s. Writer, Producer, and Director of so many films – I can’t help but be impressed. Take a look:
Writer
+ Delta House (1979) (TV Series)
+ National Lampoon’s Class Reunion (1982)
+ At Ease (1983) (TV Series)
+ Mr. Mom (1983)
+ National Lampoon’s Vacation (1983)
+ Nate and Hayes (1983) (with David Odell)
+ Sixteen Candles (1984)
+ The Breakfast Club (1985)
+ National Lampoon’s European Vacation (1985; characters)
+ Weird Science (1985)
+ Pretty in Pink (1986)
+ Ferris Bueller’s Day Off (1986)
+ Some Kind of Wonderful (1987)
+ Planes, Trains & Automobiles (1987)
+ She’s Having a Baby (1988)
+ The Great Outdoors (1988)
+ Uncle Buck (1989)
+ National Lampoon’s Christmas Vacation (1989)
+ Home Alone (1990)
+ Career Opportunities (1991)
+ Dutch (1991)
+ Curly Sue (1991)
+ Beethoven (1992) (as Edmond Dantes)
+ Home Alone 2: Lost in New York (1992)
+ Dennis the Menace (1993)
+ Baby’s Day Out (1994)
+ Miracle on 34th Street (1994)
+ 101 Dalmatians (1996)
+ Flubber (1997)
+ Home Alone 3 (1997)
+ Reach The Rock (1998)
+ Just Visiting (2001) (with Jean-Marie Poire & Christian Clavier)
+ Maid in Manhattan (2002; story) (originally titled The Chambermaid) (as Edmond Dantes)
+ Drillbit Taylor (2008; story) (as Edmond Dantes)
Director
+ Sixteen Candles (1984)
+ The Breakfast Club (1985)
+ Weird Science (1985)
+ Ferris Bueller’s Day Off (1986)
+ Planes, Trains & Automobiles (1987)
+ She’s Having a Baby (1988)
+ Uncle Buck (1989)
+ Curly Sue (1991)
Producer
+ The Breakfast Club (1985)
+ Pretty in Pink (1986; executive producer)
+ Ferris Bueller’s Day Off (1986)
+ Some Kind of Wonderful (1987)
+ Planes, Trains & Automobiles (1987)
+ She’s Having a Baby (1988)
+ The Great Outdoors (1988; executive producer)
+ Uncle Buck (1989)
+ National Lampoon’s Christmas Vacation (1989)
+ Home Alone (1990)
+ Career Opportunities (1991)
+ Only the Lonely (1991)
+ Dutch (1991)
+ Curly Sue (1991)
+ Home Alone 2: Lost in New York (1992)
+ Dennis the Menace (1993)
+ Baby’s Day Out (1994)
+ Miracle on 34th Street (1994)
+ 101 Dalmatians (1996)
+ Flubber (1997)
+ Home Alone 3 (1997)
+ Reach the Rock (1998)
+ New Port South (2001; executive producer)
It’s interesting looking back on his canon of work. I never really noticed before, but most of his films have a the same thing in common – they are all about really messed up families. Mr. Mom, Pretty in Pink, Uncle Buck. Weird Science – where was Wyatt’s parents? Breakfast Club was all about how everybody’s family is crazy, no matter if your a jock, nerd, or princess – rich or poor – everyone is fuct. Home Alone… the freakin’ kid was forgotten and left at home on Christmas and was being tormented by burglars – who were trying to kill him. In fact, it’s pretty easy to take a John Hughes movie and turn it into a horror movie.
Despite how little his later work matters to me – his early films, the ones he made for all kids in the 1980’s, will always give me that old nostalgic feeling. I hardly seek them out… but at then end of the day – if Weird Science is on, I put the clicker down – pull out my rubix cube – drink some Jolt – think about all the cool stuff I could do on a Commodore 64 – fantasize about being rich – and remember that my parents just don’t understand me.
Godspeed Mr. Hughes.
I hate my blog. I really do. I hate it the way a neglectful pet owner hates his fish for dying all the time. I can never find the time to contribute to it the way it deserves. But I have one all the same. I suppose that it’s been al la mode to have one for quite a few modes. But it just sits here and stares at me every time I launch Firefox.
“Oh hi Brian, just a reminder – I’ve not changed in 3 months. Oh off so soon… Facebook – huh. I see.”
The other really frustrating part is that I seem to go in these waves of contribution. For example – about 6 months ago I decided to post an Illustration a day. I did this for 2 basic reasons:
And I did post – for about 3 weeks. Some good ones two… people still talk about my minute by minute tweets from gum surgery – followed by an awesome image my dentist let me take while he was working his magic. Which in my mind set my blog up for thinking everything was going to be great again – like the first days when we first installed wordpress… But – alas – something happened… well – actually – nothing happened.. I just got busy. Moved on.
And so – I’m back – posting again. Mostly I’m just sick of seeing this same damn article I wrote for Promotion World sitting on my homepage – it doesn’t really represent the spirit of this blog anyway – more of an advertising fueled space filler.
Take heed my bloggy girlfriend – I have returned. I promise it will be better, I won’t forget to post to you. Can you ever forgive me?
luvB

Lately, I’ve been spending a lot of time working and meeting with industry partners who work on the publishing side. Earlier in the month I got to chance to speak with my friend Alan Schulman in a program put together by the Upstream Group to train and inspire some of the top sellers from some of the biggest publishers on the web. And just this week Brand New World had a nice re-meet and greet with some of our friends over at Google.
I must admit, I wasn’t really sure what would come out of these meetings, but I’m and happy to find that the opportunities formed from these new relationships are really productive and exciting. This was a pleasant surprise to me, because traditionally, and forgive me if I offend with this crass generalization, when creatives and publishers talk, they are usually just annoy the hell out of each other.
In my experience in the interactive, I’ve come to realize that there is one big bugbear that causes friction between publishers and creatives. It should come as no surprise to anyone. It’s good old-fashioned lack of communication- destroyer of good business relationships and creator of sky-high blood pressure on all sides.
On the creative side for example, specific ad placements tend to be one of the last things considered when a campaign is designed. Creatives talk about placements in broad and general terms, (ie. “We are probably going to be running ads on 25+ sites where male sports fans go for news – like ESPN.”) because early in the project the media partners still haven’t fleshed out the buying plan at that level of detail. Creatives are working without the specifics that could help them not only target their ads better, but take advantage of opportunities which maybe be unique to a specific publisher.
Most of the time, the creative strategy, concepts, designs, and even exhibitions are already complete by the time they are actually notified on which sites the creative will be running. At this point, if there is any communication between the creative agency and the publisher, it usually involves someone saying “you can’t do that on our site,” and some Creative Director having an Christian Bale style hissy fit.
So you get a publisher who thinks the creatives are nuts, or worse, inept, and a creative team that thinks the publishers are obtuse, lazy, and actively oppressing the projects potential. No one is happy. And even if that doesn’t happen, you still end up with creative that has been designed for a range of sites based on generalized specs, often the lowest common denominator, rather than more effective finely-honed campaigns.
This doesn’t need to be the case. If publishers and creatives have a dialog all along, before a campaign is designed, they can work together to everyone’s mutual benefit.
It makes perfect sense that there are a lot of publishers out there that have a brilliant technical and marketing staff members who are coming up with innovative ways for brands to sell on their site. Exciting news that too often we creatives don’t get to hear about because often times technical innovations develop at a pace and scope that puts them outside of large media plans. Additionally, there are some publishers out there looking for great creative ideas to give them an advantage over their competitors, and would love nothing more than to have a brainstorming session with a smart creative agency willing to talk.
This could be one of those virtual win-win situations.
It’s good news for me and my teams as well. We would welcome a chance to sit in a brainstorming meeting with our publisher friends and come up with new ways to get our client’s brands out of the banner ghetto. We would love nothing more than to be given a unique opportunity to be the first out the door with creative that does something no one else has ever done before.
We just need to talk, people. If advertisers and creatives can really get together and communicate, I believe we can move interactive advertising forward by leaps and bounds. If we don’t, all we get are more headaches, and what we lose is the chance at real progress and innovation.
So, a final word to all my publisher friends out there…. Use us. We’re here, and we’re not hard to find. For example: I’m on Google, I’m on Facebook, I’m on Linked In, And I’m on BrandNewWorldus.com
We may seem like an odd couple, but I’ll bet that given time, we can make beautiful music together.
All work and no play makes Jack a dull boy.
All work and no play makes Jack a dull boy.
All work and no play makes Jack a dull boy.
All work and no play makes Jack a dull boy.
All work and no play makes Jack a dull boy.
All work and no play makes Jack a dull boy.
All work and no play makes Jack a dull boy.
All work and no play makes Jack a dull boy.
All work and no play makes Jack a dull boy.
All work and no play makes Jack a dull boy.
All work and no play makes Jack a dull boy.
All work and no play makes Jack a dull boy.
All work and no play makes Jack a dull boy.
All work and no play makes Jack a dull boy.
All work and no play makes Jack a dull boy.
All work and no play makes Jack a dull boy.
All work and no play makes Jack a dull boy.
All work and no play makes Jack a dull boy.
All work and no play makes Jack a dull boy.
All work and no play makes Jack a dull boy.
All work and no play makes Jack a dull boy.
All work and no play makes Jack a dull boy.
All work and no play makes Jack a dull boy.
All work and no play makes Jack a dull boy.
All work and no play makes Jack a dull boy.
All work and no play makes Jack a dull boy.
All work and no play makes Jack a dull boy.
All work and no play makes Jack a dull boy.
All work and no play makes Jack a dull boy.
All work and no play makes Jack a dull boy.
All work and no play makes Jack a dull boy.
All work and no play makes Jack a dull boy.
All work and no play makes Jack a dull boy.
All work and no play makes Jack a dull boy.
All work and no play makes Jack a dull boy.
All work and no play makes Jack a dull boy.
All work and no play makes Jack a dull boy.
All work and no play makes Jack a dull boy.
All work and no play makes Jack a dull boy.
All work and no play makes Jack a dull boy.
All work and no play makes Jack a dull boy.
All work and no play makes Jack a dull boy.